Proper after the announcement of the event of the brand new Sony VENICE 2, German producer ARRI began engaged on a brand new set of equipment for the digital camera. These embody new high and backside plates, facet brackets and a broadcast shoulder pad. All the brand new equipment are backward-compatibile with the unique VENICE.
The Sony VENICE has rapidly develop into one of the vital in style high-end digital cameras over the previous few years. Again in November, Sony introduced its successor, the VENICE 2, which inherits the legacy of the unique mannequin and introduces some main upgrades. You may learn all concerning the new digital camera on this article.
Regardless of the same design, the VENICE 2 physique is barely extra compact than the unique (with the AXS-R7 recorder hooked up, as it’s now a part of the VENICE 2 physique). These bodily adjustments pressured ARRI to develop an upgraded set of mechanical equipment particularly designed for the VENICE 2, but additionally backward-compatible with the unique VENICE. Let’s take a extra detailed look.
ARRI backside plate for Sony VENICE 1 and a couple of
Let’s begin from the underside plate. The ARRI Plate developed for the unique Sony VENICE (K2.0017137) has a hump that makes it incompatible with the VENICE 2. The truth is, the brand new digital camera has an all-flat design on the backside.
However, the newly-developed ARRI Plate (K2.0043726) works with each cameras. It options twin 15mm rod mounts, ARRI Multi HEX screws and two M4 threaded holes on both sides for attaching the model new facet brackets.
By in style demand, new facet brackets
Since many customers have been asking for added mounting factors, ARRI welcomed this request by introducing left and proper facet brackets (K2.0043725 and K2.0043731).
Apart from offering a number of 3/8”, 1/4” and M4 threaded holes, the brackets are suitable with present ARRI rod holders and rosette mounts. Furthermore, their design doesn’t intrude with the Picket Digicam D-Field Energy Strip, which is essentially used on many productions.
The highest plate
In contrast to the underside plate, the highest plate for the VENICE 1 (K2.0017024) can also be suitable with the VENICE 2. Nonetheless, ARRI determined to develop a recent cheese-style high plate (K2.0043699).
It offers quite a few 3/8”, 1/4” and M4 threaded holes and assist for the brand new facet brackets. Furthermore, the Sony focus hood will be faraway from the digital camera and hooked up on to the highest plate.
Final however not least, this high plate will be geared up with the present ARRI CCH-4 high deal with and it may well accomodate the ARRI MVB-1 (Mini Viewfinder Bracket) to assist the VENICE viewfinder by way of a devoted adapter.
Cine vs Broadcast kits
By combining these new equipment, ARRI has developed 4 completely different kits for the VENICE 1 and a couple of:
- Primary Cine Set
- Professional Cine Set
- Primary Broadcast Set
- Professional Broadcast Set
Within the Cine kits, the underside plate connects on to a low-profile Bridge Plate Adapter (K2.0017138), whereas the Broadcast units embody a brand new VCT-style Broadcast Shoulder Adapter (K2.0043749) that’s extra appropriate for shoulder digital camera work.
Furthermore, what units aside the Professional from the Primary kits is the inclusion of the facet brackets in addition to of the MVB-1 (Mini Viewfinder Bracket).
Value and availability
These new ARRI Digicam Equipment for the Sony VENICE 1 and a couple of will begin delivery in the direction of the top of February, precisely when the digital camera ought to hit the cabinets.
The equipment and kits at the moment are out there for pre-order on B&H and CVP. Pricing ranges from $1520 for the Primary Cine Set and goes as much as $3450 for the Professional Broadcast Set.
Are you a VENICE consumer searching for mechanical equipment for the digital camera? What do you consider these ARRI Digicam Equipment for the VENICE 1 and a couple of? Share your ideas within the feedback under!