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Gnuri – The Leica digicam Weblog


Fascinated by the gnuris on the streets of Palermo, the Italian photographer began to spend so much of time with them. He noticed and skilled their dynamics, their working model, and the excesses of their characters. The outcome is a superb and expressive portrait of an previous custom that has survived to today.

Who’re the gnuri?
In Palermo, the charioteer or coachman is known as u gnuri, a diminutive of gnuranti, that means ignorant in Sicilian. Together with his zotta (whip) and black apron, he takes visiting vacationers across the metropolis in horse-drawn carriages. Previously, travelling by carriage was a privilege just for the the Aristocracy. Actually, earlier than the financial increase of the 70s, since not everybody had a automotive, a lot of the inhabitants would transfer round city in horse-drawn carriages; due to this fact, it was the most well-liked type of transport and the u gnuri had been thought-about the masters of Palermo’s streets.

The place did the concept to {photograph} them come from? What do they imply to you?
Whereas taking part in a non secular procession conducting kids by way of the streets of Palermo, I got here throughout this stunning carriage depot, which was no less than 90 years previous. Fascinated by the place and the topics, I requested and defined to the individuals there what I wished to do. And right here we’re! It represents a kind of tales linked to custom and historic crafts, that also survive in our metropolis at this time.

What was your photographic strategy?
I simply spent a number of time round there, till I turned like one in all them. I skilled and noticed their dynamics, the best way they labored, the excesses of their characters, and the important a part of my studying expertise: their humanity. So far as I can see, some individuals at this time may think about a photographer a menace, as a result of he may need to report back to the media on one thing damaging. This is the reason I consider it’s very important for me to keep up a friendship with whomever I {photograph}; to remind them that I’m doing this to seize the second without end.

Your footage appear like they had been taken in one other time, somewhat than the twenty first century. Is your sequence a homage to one thing up to now, one thing vulnerable to disappearing?
I typically suppose possibly I’m a step behind the present occasions; maybe this inventive, cultural and aesthetics mutation is appropriate for our occasions. By way of my images, I reside the second in that point. I simply attempt to {photograph} in a method that makes me journey by way of time; which makes me return to the occasions once I would have favored to have lived. I’ve a detailed bond with photographers of the previous, whom I am keen on as fashions to observe, and since I can’t return in time, I take advantage of my little Leica to create my imaginative and prescient. One such instance is my latest work titled The Masked Ball, revealed by LFI Weblog Worldwide. After I tiptoe into such an intimate scenario, I think about myself as a small fly that tries to not alter the magnificent order/dysfunction that comes from that invisible director referred to as “probability”, as Willy Ronis mentioned. It’s a temptation that I can’t quit.

Was black and white the mandatory consequence for you?
Completely sure!

It appears as if your sequence had been set in only one situation, one backdrop, photographed from totally different views. What does “area”, “spatiality” imply for you?
Thanks for noticing that. In addition to being train, it’s not simple to create a narrative by way of a photograph. For me, it represents dwelling the characters and the place in a whole method, immersing myself of their noises, of their sounds and their smells. Experiencing them at 360 levels means changing into one in all them. On the identical time, the pictures appear to create one thing “cinematic” by way of this sort of taking pictures.

What that means does movie and the movement it creates have for you?
Thanks for the query: this flatters me so much. Typically, it isn’t simple to learn my intentions and concepts behind the images. Gesture and motion are elementary to characterize a scene and seize the second. I select the appropriate second to seize the gesture that offers the reader of the {photograph} that concept of motion. That is, in my view, probably the most difficult issues to attain, as a result of if I miss the appropriate second or take {a photograph} a second later, the true that means of the {photograph} will vanish.

The main focus of the images is definitely much less on the gnuri than on the horse itself. What complexity do you see within the connection between the 2?
Sure, it’s true. As I photographed, my consideration was drawn in direction of the horse, as a result of the u gnuri exist because of it. Their connection may be very shut, and there may be additionally a lot mutual respect. A number of individuals exploit this stunning animal an excessive amount of: both for racing or for the slaughterhouse. However on this case, they’ve been “used” for different duties, corresponding to transportation. As well as, I’ve myself seen these horses been handled properly and with respect, taken care of and stored clear each day.

How did you’re employed with the sunshine?
I all the time search for essentially the most theatrical mild. I all the time search for the appropriate time of day to provide a continuity of sunshine to the mission. Typically it’s not simple, for instance, as a result of lack of sunshine in some locations; however thanks to what’s round, I can nonetheless switch the environment that I perceived.

Do you’ve gotten a favorite {photograph}? If that’s the case, which one and why?
My favorite is the one the place there’s an previous man stroking a horse with a sponge, washing it gently and with love. This stunning gesture is mixed with a composition of two triangles that converge in direction of the centre of the photograph, one the horse and the opposite the carriage.

You labored with the Leica M10. How was working with the digicam, and the way did it help you?
Since I used to be younger, I dreamt of working with a Leica. After a few years I received the primary CCD monochrome and an M10 that I nonetheless have. The sensation of working with Leica cameras and optics is all the time distinctive, as a result of it provides you the exact concept of touching and shaping the shot. It’s a stunning sensorial expertise. The discretion with which I strategy the topic can be as a consequence of this delicate tools. I can’t reside with out it.

After working as a graphic artist for 17 years, Angelo Cirrincione determined to strategy his past love, images. Consequently, he determined to open a studio for business work after which he began to provide private reportages. The anthropological background felt when taking road images is one thing he finds irresistible, as a result of it summarizes in a hundredth of a second what we’re or we had been. He loves the ironic and poetic facet of life, and tries to seek out it in his images. Pictures is a device for him to uncover, but in addition to rediscover, what we appear to have misplaced. Discover out extra about his images on his web site and Instagram channel.

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