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Sony Unveils Flagship VENICE 2 Digital Cinema Digicam with 8.6K Full-Body Picture Sensor


LOS ANGELES, CA – November 15,2021 – At present, Sony Electronics Inc. introduces the VENICE 2, the brand new flagship mannequin and newest addition to its lineup of high-end digital cinema cameras. The VENICE 2 builds upon the energy of the unique VENICE with new options together with a compact design, inner recording and the choice for 2 completely different sensors: the newly developed full-frame 8.6K sensor or the unique 6K VENICE sensor.  The VENICE 2 additionally inherits widespread options from the unique VENICE together with shade science, Twin Base ISO and 8-stops of built-in ND filters.

New Sensor Interprets into Extraordinary Picture High quality and Unimaginable Low-light Sensitivity

Paired with a newly-developed 8.6 Ok (8640 x 5760) full-frame CMOS picture sensor, the VENICE 2 provides glorious picture high quality with 16 stops of complete latitude[i] to seize stunning photographs with glorious shade separation and shadow element. The digicam additionally inherits its shade science from the unique VENICE which is extremely regarded for its pure pores and skin tones. The VENICE 2 8K CineAlta digicam has a singular twin base ISO of 800/3200 which permits filmmakers to seize extremely clear, film-like photographs underneath a variety of lighting circumstances. It helps every little thing from full-frame, full-frame anamorphic[ii] to Super35 all at a minimal of 4K decision, leading to an impressive and versatile digicam system for cinematographers and productions.

As an example the energy of the VENICE 2 and its new 8.6K sensor, Sony labored with the trade’s high cinematographers to check the digicam’s picture high quality on just a few separate movie shoots with out utilizing any skilled film lighting.  

Award-winning cinematographer Robert McLachlan ASC, CSC, who has labored on extremely acclaimedproductions together with Sport of Thrones (for which he obtained two Emmy nominations), Westworld, and Lovecraft Nation. McLachlan examined and filmed with the brand new 8.6K full-frame VENICE 2 in two nations and provided his response. 

“I actually want we’d had a big format, 8.6K sensor like Sony VENICE 2 on my previous work. It could have made it really feel much more epic and, on the identical time, extra participating, due to the elevated decision, richness, and dimensionality. The elevated velocity, cleaner highlights, and shadows along with the potential for super-shallow depth of subject would have been an enormous asset.” 

Academy Award profitable cinematographer[iii] Claudio Miranda ASC, ACC used the unique VENICE and examined the VENICE 2 in opposition to the unique within the pitch darkness of the California desert. He provided this evaluation:   

“The 3200 ASA is unbelievable. I believe how clear it’s – is certainly an enormous deal,” mentioned Miranda. “Within the movie, there may be nonetheless constancy within the shadows, and the large photographs are fairly spectacular. There have been no movie lights on this shoot in any respect. There have been simply headlights of the automobile, the hearth, and that was the purpose. It was to go to the center of nowhere and put an enormous fireplace and see how far the brand new sensor might gentle up the mountain, with out noise.” 

Rob Hardy, BSC, ASC, the British cinematographer identified for his ground-breaking work on Mission Not possible: Fallout, Ex-Machina and DEVS and winner of the BAFTA for cinematography for Boy A, amongst others additionally commented:

“I’m used to utilizing the unique VENICE and I might say, I’m a just about an advocate of that digicam. The chance to make use of VENICE 2 is definitely a very improbable one. That is the primary time I’ve ever used that bigger sensor, the 8.6K and we had been fortunate sufficient to get some anamorphic lenses that actually set for the complete cinematic impact and actually utilized the entire sensor. The ISOs have been bumped up so that permits me to shoot at the next velocity within the low gentle ranges which is one thing that wasn’t actually an possibility earlier than, and that’s the massive acquire for me.”

With the 8.6K sensor offering ample oversampling, photographs shot on VENICE 2 will profit from much less noise and enriched info in a 2K or 4K manufacturing. It additionally means the digicam is nicely suited to VR, in digicam VFX and Digital Manufacturing setups, delivering an immersive expertise and reasonable photographs particularly together with Sony’s high-contrast and large-scale Crystal LED shows.

Success of the Authentic VENICE

Since its launch in 2017, VENICE has been used to shoot greater than 300 theatrical, broadcast, cable, and streaming releases, together with the Emmy award-winning sequence “The Crown”. Common firmware and {hardware} updates to satisfy the newest artistic wants have been key to the large adoption of VENICE.  

“We’re so happy to have seen the success of the unique VENICE over the past 4 years. Based mostly on our conversations with cinematographers and manufacturing firms world wide, we acknowledged a possibility to enhance by leveraging lots of our newest imaging and sensor applied sciences. By doing so, we’re taking the VENICE picture high quality to a brand new stage. We additionally made the digicam smaller and are providing inner recording to allow extra artistic freedom: whether or not meaning utilizing the digicam on drones, Steadicams, aerial gimbals- or underwater housings,” mentioned Neal Manowitz, President and COO, Sony Electronics Inc. 

Person-influenced Upgrades

The VENICE 2 maintains most of the options which made the unique VENICE a hit together with Twin Base ISO, 8-stops of built-in ND filters, compatibility with a variety of lenses, together with all PL mount and Sony’s native E-mount which allows adapters for a mess of lenses.

Due to direct suggestions from the manufacturing group, the VENICE 2 was designed with a smaller and extra light-weight physique than the unique VENICE whereas conserving its intuitive operability. Regardless of being 44 mm smaller and roughly 10% lighter[iv], the VENICE 2 chassis permits inner recording of X-OCN and Apple 4K ProRes 4444 and 422 HQ with out the AXS-R7 recorder, providing superior usability in a compact and light-weight physique. 

Person-selectable seize decision of the 8.6K picture sensor enable capturing in numerous modes together with:

8.6K | 3:2 | 30FPS | Full Body
8.2K | 17:9 | 60FPS | Full Body
5.8K | 6.5 Anamorphic | 48FPS | Super35
5.8K | 17:9 | 90FPS | Super35

Interchangeable Sensor Design

For much more flexibility on-site, the VENICE 2 chassis provides the distinctive characteristic to interchange the picture sensor block. The digicam can be utilized with the 8.6K sensor in addition to the unique 6K sensor block. [v] The digicam physique robotically acknowledges the change and can start-up with none firmware exchanges or re-installs, including extra flexibility on-site. The unique 6K sensor will enable larger body charges.

Enhanced Usability with Inner Recording and Smaller Dimension

Small and light-weight however solidly constructed, the VENICE 2 physique leverages new high-speed 6.6 Gbps AXS card AXS-A1TS66 for 8K 60p recording. Current AXS Reminiscence Card Readers together with AXS-AR3 through Thunderbolt™3[vi] interface are suitable with the brand new media.

Moreover, the VENICE 2 person interface is identical as the unique VENICE however incorporates enhancements to make it simpler and much more intuitive to make use of. The digicam provides an advanced product design whereas being suitable with virtually all authentic VENICE equipment.   

Different updates to the VENICE 2, primarily based on the suggestions from present VENICE customers to reinforce usability, embrace:

4K output with LUT utilized
Improved 3D LUT processing to enhance image high quality 
EI modifications instantly utilized to S-Log3 outputs
LUT/ASC-CDL management through Ethernet/Wi-Fi 
Zoom to Match (Full-Body recording with 17:9/16:9 monitoring) operation 
Ethernet connector place modified to Digicam Assistant facet 
Lemo 2pin 12V output connector 
Inner microphone put in 


The VENICE 2 digicam with 8.6K picture sensor is scheduled to start out transport in February 2022 and VENICE 2 digicam with 6K picture sensor in March 2022.  As well as, the VENICE 2 6K can be utilized with the present VENICE Extension System and a next-generation Extension System for VENICE 2 8K is deliberate to be launched by early 2023. 

Unique tales and thrilling new content material shot with the brand new VENICE 2 and Sony’s different imaging merchandise might be discovered at, a website created to teach and encourage all followers and clients of Sony’s Cinema Line.

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