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Why You Shouldn’t Movie in S-Log3


Widespread thought for utilizing Sony cameras just like the a7S III, FX3 or a7 IV is to pop it into S-Log3 since that’s the way you get the very best high quality. Good in principle, much more troublesome in actuality. S-Log3, and different log gammas, are good for squeezing out essentially the most doable dynamic vary and adaptability out of your digicam, however provided that you’re employed with it correctly.

Being so specific, generally it’s best to rethink the choice to shoot in S-Log3. In order for you a greater clarification of why that’s, filmmaker Josh Morgan of Momentum Productions breaks issues down.

One massive caveat earlier than we get began is that you simply completely ought to perceive what a log profile does and tips on how to correctly shoot with it earlier than you employ it for paying jobs. Josh admittedly isn’t the most effective at shade grading and that definitely is a vital consideration.

A fast factor to find out about S-Log3 is how noise is dealt with. Since it’s successfully squeezing extra info into the identical area you’ll doubtless see noise within the shadows.

The ISO you select additionally issues a ton. Should you aren’t at one of many native sensitivities (ISO 640 or 12,800) you will note much more noise. And if you happen to select one thing like 10,000 you will note a ton when simply bumping as much as 12,800 will clear it up quite a bit.

Picture Credit score: Sony

In response to noise within the shadows, it is suggested to maintain your ISO setting in the suitable spot and in addition to show to the suitable. Extra gentle goes to assist since if you’re bringing down the shadows in put up the noise shall be decreased naturally.

Colours are additionally going to be affected. Some shall be extra affected than others and never look precisely like what your eyes see. Ideally you’ll have a gray card or shade checker to maintain issues constant and correct in put up. With out that, eyeballing the colour in put up may be troublesome if you happen to want issues to look proper.

Should you aren’t aware of utilizing further shade grading instruments and deciding on components of the picture S-Log3 is likely to be troublesome for you.

Josh additionally thinks that autofocus is impacted by S-Log3. He does level out that merely double-checking focus is much more troublesome for the reason that picture is quite a bit flatter. If the scene itself already doesn’t have an excessive amount of distinction you may see there being potential points right here.

Picture Credit score: Sony

One different cause to rethink S-Log3 is that Sony has introduced the S-Cinetone profile to extra cameras. This profile is designed for use with minimal modifying and has a “cinematic” high quality based mostly on the VENICE and FX9. If you wish to work shortly and might get it largely proper in digicam than S-Cinetone is a go-to possibility.

Which profile do you like to make use of?

[source: Momentum Productions]

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